Characterization And Symbolism In Olu Obafemi’S Wheels And Ngugi Wa Thiongo’S A Grain Of Wheat
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Characterization And Symbolism In Olu Obafemi’S Wheels And Ngugi Wa Thiongo’S A Grain Of Wheat
Chapter one
1.0 Introduction
Characterisation is the presentation, description, depiction, and analysis of the numerous characters or cast in any piece of art, whether a play, novel, or poem.
Characterisation is the process by which a writer creates, shapes, and presents his or her characters. Characters are imaginary, but even if they are animals or inanimate objects, we know what they represent. It can be defined as the author’s treatment of his characters or the character development in a work.
Characterisation is a term that explains how an author builds the personalities of the characters in a novel. A well-developed character is one that has been properly characterised, with numerous attributes demonstrated in the narrative.
6A well-developed character acts in accordance with previous examples provided by its observable qualities, until more information about the character is provided.
The better the audience understands the characters, the better their development. Characters become more complete and complicated as a result of thorough characterisation.
Characterisation is also the process of transmitting information about characters through narrative or dramatic works of art, as well as regular discourse. Characters can be described via their behaviours, speech, or ideas. There are two methods an author can transmit information about a character, which are
1. Direct or explicit characterisation: The author tells the audience exactly what a character is like. This can be done by the narrator, another character, or the character themselves.
2. Indirect or Implicit Characterisation: The audience must deduce what the character is like based on the character’s thoughts, actions, speech (word choice, tone of voice), appearance, and interaction with other characters, including their reactions to that particular person.
Symbolism occurs when an author utilises an object or reference to add depth to a story. Symbolism in literature can range from subtle to evident, and it can be employed sparingly or heavily.
Symbolism is the art or practice of using symbols, particularly by imbuing things with symbolic meaning or conveying the invisible or intangible through visible or sensuous representations, such as:
(a) An artistic initiation or invention that reveals or suggests immaterial, ideal, or other intangible truths or states.
(b) Using conventional or customary signs to portray divine creatures and spirits.
A symbol in literature is something that conveys more than its exact meaning. Symbols often do not stand for a single meaning or anything totally precise; instead, they point, hint, or, as Henry James phrased it, “cast long shadows.” It is the use of symbols to depict things, primarily in art and literature.
Symbols are incredible things that control our life. We suffer when we overestimate their power or when we underestimate it.
Symbolism is frequently employed to underpin a literary idea in a subtle way. Symbolism is defined as the use of symbols, phrases, or objects to represent things that are not actually shown in literature.
1.1 PURPOSE OF STUDY
This study investigates how characters and symbols contributed to the finding of insights and meanings in Olu Obafemi’s Wheels and Ngugi Wa Thiongo’s A Grain of Wheat.
§ Understanding the writers’ use of characters and symbols is also important.
§ Help students understand the relevance of characterisation and symbolism.
§ Also, to make the text more understandable.
1.2 Scope of the Study
This project work examines the use of characterisation and symbolism in two texts by notable African writers: Olu Obafemi’s Wheels and Ngugi Wa Thiong’s A Grain of Wheat.
1.3 Justification for the Study.
The two works reviewed demonstrate diverse writing styles on characterisation and symbolism. Although significant work has been done on the style, language, characters, and symbolism of the two works featured in this project, the authors come from two distinct countries. Comparing their works reveals the amount of degradation in every African country. Thus, this study contributes to a review of characterisation and symbolism.
1.4 Methodology.
The study focused on characterisation and symbolism in Olu Obafemi’s Wheels and Ngugi Wa Thiongo’s A Grain of Wheat, relying on a close textual reading. Textbooks, handbooks, and other documents related to the two texts are also consulted, with a critical evaluation of the texts serving as the primary source of knowledge. Additionally, the source includes viewing the website (Internet). The author’s approach is Marxist.
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