THE ACTOR AS AN INSTRUMENT OF SOCIAL CHANGE. A CASE STUDY OF THE INTERPRETATION OF EBUBE BY SAM DEDE IN ISAKABA I AND II
ABSTRACT
This work is structured into four wide chapters to fit all of the evidence required to demonstrate to society the incalculable role of the actor in bringing about social transformation.
The first chapter presents the objectives, scope, and justification of study.
In addition to enumerating and discussing the sorts of research methods used for the project, this chapter includes definitions of terminology containing concepts that constitute the basis of our research.
The second chapter is a survey of literatures.
This chapter reviews a selection of books pertinent to our discussion topic. These notions are separated into two major groups. The concepts of acting and social transformation. Literatures on the historical backdrop of acting and the actor’s tools and dramatic talents are evaluated in the notion of acting. The societal significance of acting is also discussed.
In the context of the concept of social transformations, subjects such as human society, social groupings, social structure and patterns, and social stratifications are discussed. Moreover, this chapter examines. In addition, the chapter provides an outline of the concept of social transformation.
The third chapter addresses Sam Dede’s life, the plot of Isakaba, and his portrayal of Ebube in Isakaba. This chapter will also contain our discussion data. The actor as an agent of social transformation.
In the fourth chapter, we will summarize all of our works. Conclusions and recommendations will be made.
FIRST CHAPTER
INTRODUCTION
1.1 objective of Study
The objective of this study is to investigate, analyze, and document the essential Obligations of an actor to the reformation of society. Our cultures are rapidly deteriorating due to corruption, immorality, and ethical decline.
Consequently, our research is a clarion cry to the actors to adhere to their socially critical challenges of exposing the evils of the society through performances in order to effect good social change.
This work is also a warning to the perpetrators of corruptions, injustices, immorality, and any other sort of antisocial behavior that they are being observed by the actors and will be revealed if they continue to engage in such acts. Through the use of this medium, our morally bankrupt society would undergo a good transformation.
1.2 SCOPE OF STUDY
This study will aim to demonstrate that, like other social crusading organizations in our society, theatrical enactments by actors also serve as a potent vehicle for bringing about social change.
In the first chapter, we will present an overview of our work. In this chapter, we will evaluate our motivation for conducting this study and its scope.
We will also discuss the justification for this work and the research methods employed. Following that, we will provide definitions for major works that serve as the study’s foundation.
The second chapter will be based on the literature reviewer.
In this chapter, the researcher will conduct a thorough analysis of many works by other authors that are judged to be highly relevant to the topic at hand.
Our data analysis is presented in Chapter 3. We will begin with Sam Dede’s biography, whose portrayal of Ebube in Isakaba 1 and 2 is the subject of this paper.
Then, we will present a summary of the screenplay, “sakaba” 1 and 2. It will also be discussed how Sam Dede understands the character of Ebebe in the screenplay. The conclusion of these conversations will usher in our data presentation, which focuses on the actor as an agent of social transformation.
In the fourth chapter, we will summarize and conclude our work.
In this section, recommendations will also be made. And finally, we will present a detailed biography of each of the cited individuals.
1.3 JUSTIFICATION
In addition to shedding additional light on the common knowledge of acting and the society to which we belong, this work will make an eloquent effort to remind artists of their civic responsibilities. It will push students to create more dramatic works whose themes revolve around social issues and subsequent transformations.
Instead of tackling the most pressing issues facing society, the majority of artists concentrate on dramas built on romance and devotion. The acclaimed African poet and novelist Achebe Chinua addressed this topic by stating, “… it is evident to me that an African creative writer who avoids the major social and political issues of modern Africa will become absolutely irrelevant.” (1975:78)
Therefore, this book is a siren cry to alert them of the high rate of moral and ethical degeneration in society. Which they must address through play as societal critics.
1.4 RESEARCH METHODOLOGY
For academic endeavors of this magnitude, research is always a prerequisite. In order to successfully complete the project, the following research approaches will be utilized. The use of audiovisual media, libraries, and interviews.
Since the case study of this paper is based on a recently released Nigerian film titled Isakaba, it is imperative that the researcher obtains crucial information about the film using audio-visual means.
The film Isakaba will be viewed multiple times in order to extract critical information without which this project could not be finished effectively.
The researcher will also access the Internet to obtain essential information. Some information obtained through this medium is sparse in the libraries I have access to.
The majority of the research for this project will be conducted through this medium. Here, the researcher will tour various libraries inside and outside of the school’s grounds. Information obtained through the media also helped significantly to the work’s completion.
Since the focus of our work is on how Samuel Dede viewed the character of Ebube in Isakaba, it will be practical for us to collect information about him via personal interviews.
The researcher will also seek public ideas and perspectives on the topic of discussion by conducting interviews with other members of society. This type of investigation will significantly contribute to the total completion of this project.
1.6 DEFINITION OF TERMS
Due to the critical need to be familiar with the key terms upon which our research is based, this section is devoted to providing detailed definitions of these concepts. Specifically, we will provide definitions for the concepts of an actor, an instrument, and social change, which form the basis of our discussion.
According to Columbus Iroasonga, an actor is someone who interprets for the audience using his body, space, and time.
These are the playwright’s works… (Oral evidence 2003) In this concept, Columbus lists three fundamental tools that actor uses to achieve his objective. These include the human body, space, and time. The actor’s physical form is the most essential of these devices.
His physique serves as his primary mode of communication with society. He uses his body to represent an idea or thinking he has formed. It is not surprising that something is said about an actor.
… The actor is one of the few artists whose fundamental tools of expression are inseparable from him. Acting is nonetheless an art and the expressive use of behavior in the theater. It differs from the capacity to function normally in everyday life… (Oral evidence 2003).
The actor’s body is vital in order for him to transform into his preferred role. He employs it to generate all the necessary actions and utterances to convey a message to his audience.
Instrument
The Oxford Advanced Learners Dictionary defines an instrument as:… a device used to produce an action… (p 450).
According to this source, an instrument may take the form of scientific equipment, agricultural implements, or even the human body; nevertheless, for the purposes of this research theatre, we are primarily concerned with the body instrument.
As explained in section 1.1, the actor’s body is his primary tool for performing dramatic acts; without it, the audience would be deprived of the possibility to view a dramatic work performed on stage or in electronic media.
There are times when actors do not perform directly in front of an audience, such as in puppetry when marionettes, rod puppets, hand puppets, etc., perform in front of the audience; however, this does not negate the human body’s credit or role as an instrument in the actualization of such performance. Consequently, he is an instrument responsible for the actions of actors as well as the dialogue of these puppets.
Social evolution
Numerous academics have defined the concept of social transformation. According to Defleur M.L. and Antonio W. Nelson, social change refers to:… Variations in the pattern of social organization of a particular group within a society or the society as a whole… (1977:74).
Social change is defined by Kammeryer and Ritzer as variations over time in the relationships between individual groups, culture, and society. (1994:2)
Similarly, Thompson and Itcky define this notion as:… A process by which patterns of social behavior, social connections, social institutions, and systems of stratifications change across time… (1994:39).
According to Smith and Preston, sociologists characterize social changes:
As a society’s material and non-material culture undergoes significant change throughout time… (1994:24).
Using the preceding criteria, one might conclude that social change is the major differences or alterations that occur in any society throughout time.
In terms of individuals’ aggregate patterns of interaction and social organization, as well as their culture, social change can be slow or rapid. Here, the modifications increase, decrease, enhance, or degrade the status quo. The status quo refers to the current or previous state of a social situation.
REFERENCE
Chinua Achebe’s Africa Writer and the Biafran Course, 1975 Heineemann London.
Defleur M.L.D. and antario John Nelson (1977) The second edition of Sociology: Human Society. Foresman, Scott, and Glenview, C. Illionois.
Kammeryer and George Ritzer (1983) Sociology: Altering societies, sixth edition Both Allyn and Bacion are located in Boston.
Oxford Superior Learner’s Dictionary (p450)
Smith and done (1982). Sociology. An introduction, second edition. New York: Marins publishing
Do You Have New or Fresh Topic? Send Us Your Topic
THE ACTOR AS AN INSTRUMENT OF SOCIAL CHANGE. A CASE STUDY OF THE INTERPRETATION OF EBUBE BY SAM DEDE IN ISAKABA I AND II
INSTRUCTIONS AFTER PAYMENT
- 1.Your Full name
- 2. Your Active Email Address
- 3. Your Phone Number
- 4. Amount Paid
- 5. Project Topic
- 6. Location you made payment from